Category Archives: Romantic style

Crux

As hills become mountains and the lakes lead to streams,
then writing this poem is more like a scheme
to capture them both-though it seems in excess-
The climb and the ascent to narrowed obsess.
Shunning all reason of what comes to rest
on cliffs or near jetties in scenes I know best.
A beauty there waiting in sunlit repose,
her eyes slightly dimmed,as she dreams – I suppose.
And there at each waypost she lingers ahead
culling the scenery I’ve conquered and bred.
And where I go next is of no end, this I know.
She’ll be in the heights or the river below.

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A part of you

Emerging in the sleeping dew
with softened morning light,
are you among the sable fringe
casting forth your bright?

Walking on the air of day
with wisps of gleaming kismet,
are you sprite or angel summoned
without claim to coquette?

I comfort your implied embrace,
the smile you offer as you roam,
the auric presence you have shared
lives inside this poem.

 

While

I spent the morning reading my old poems
and realize they feel like memories.
The lonely ones that desire a second (or third)
reading, the triumphant ones
that trumpet their arrival,
the amorous ones –
they pull me into a corner by the collar and linger,
the nonsensical ones that twirl and wheel
about the sacred and profane, the love or disdain.
The obtuse, they wander.
The linear, they gander.
The poems, I gather to mind
and hold to abide in warm embraces.
They all have their places.

Summer in Chelsea

There’s a summer in Chelsea,
a lazy, flush sunrise –
a dew, with its mettle
at morning, then stripped of its guise.
Full glow and blushing
in the mid-day, with nothing
borne except the breezes
that prattle and patter the leaves
and the warm air that settles,
the ardor that thieves.
Just before rain-drops
and thunder arrive on the scene
to swirl and knead everything
before the employ
of the night,incandescent,with hushes
and wants. Pooled sweat and twilight
and intimate haunts.
Indeed, a summer in Chelsea,
and she beams nonchalance.

Reduction

He sees her wilting coriander
advancing ice and winter weather
casting eyes on cold and anger
like the wilted coriander.

He runs the lathe and turns the marrow
shaving, shaping without sorrow.
What is left but just tomorrow
piled in dust and bone and marrow.

Boiling down the balm and spirits.
Effortless in tone and lyric
words that weep and sounds elicit-
left with tinctured pome, the spirit.

And inside, while cold and bitter
sparks a flame, staves the shiver.
Waits for songs that he will give her
to warm the heart, and mull the bitter.

A question, in advance

It sings itself, doesn’t it?
the song about love and hope-
the one about couples, and snowfall and candles
familiar lyrics and trope.

Each verse is a longing
request for addition
with vocalese twinges
that wear down, by detrition,
the crag and stone hindrances
built by decision.

Until, yes, the endgame –
the paramount question
asked with charm and sorcery
with little regard for others
just you and me –

Will you dance inside the phrases
and read my poetry?
Hold my hand firmly
as you focus and you breathe?

Can you imagine, here, set free?

*******
The song “What are you doing New Year’s Eve” was running through my mind this morning, and I wrote this as an accompaniment to the song. A tribute to the muse and love in general, I suppose. Wishing you all the best in 2017.

eau

a fragrant voice,
a merging sound
to gather yellow, red and crowned

in a glottal stop
between the soundings
of the clock.

in a fashion, step
betwixt the puddle
stones and ripples, mixed.

lovers with their grasping hands-
arose, then reached at its command
and cleaved the blood-pricked
thorn, alone

in silence
and in clamored tones.