Real

A real poem may awaken you before dawn
as you watch the shadows scrape away the dark
leaving pits and imperfections in the light,
things that trip or hide from you at night.

A real poem may drink coffee black or filled with cream
while watching rivers rise to meet the banks
and how it meets the line of trees, carrying debris,
then leaving it behind as water recedes.

Truest poems hear the second hand,
the sound of resonation in a quiet mind-
rememb’ring things you heard just yesterday
that click and talk, and will not go away.

And last about the poems that you feel
inside, the ones that cry or laugh or wince or smile,
Embrace them with your joy and gratitude,
caress them at the dawn and let them soothe.

A careless triolet

A sudden silence in my wordless voice
that snared the rain and callous wind
and dripping eaves, by choice.
In sudden silence paused my wordless voice
with little notion to rejoice.
Between disdain and careless twinned
a sudden silence in my wordless voice
that snared both rain and callous wind.

Metathesis

Raw material
thought unneeded and defective
on snows of paper-
Coloring the outlook in real pigments,
a gradient in between the
two-tone coloration anchored
by the evil absence of light.
It must be a bitch
or at least alien logic
to walk thru or wear on
in such complications.

On the timing,
don’t rush or force the ending.
Science waits-
wins out over time and darkness-
increasing the demand for
beautiful poems.

Pastel

In springtime, when our love was young
as children frollicking, run ’round and sung
wearing orchid dresses or mallow
neckties – to romp in damp grasses
in crayola sunlight.

Late winter of another year
in charcoal black and sinister
veneers of burgundy and brown- our hopes
and passions tread into ground.
And lasting what seems of a full bitter night,
unanswered prayers of a hopeless plight.

Come morning, then, in the orange dawn
a windless chill – almost gone.
An Easter vigil, impassioned rites
borne of blood-red, silver, black and white,
returns a prize bought with a cost-
hope eternal once thought lost.

Whither

I wish in sounds that the wind makes
when rustling the leaves in rain, and
shakes, scattered and thrushed.

In a way, it is like breathing –
in another, waved and brushed.

I brace my frame against the chill
that stuns and stings,
and howls the shrill coil.
The fear that it brings,

headlong and brittle
into the wind.

I lose myself in those rushing moments
of burst and calm, the fate of limb
with a wandering unction.

Casting aside the lithe, cold grim
then writing in new script, a whim.

 

Puzzled

The color is at least a brown,
though it shades a bit of red
with purple tones at corners
and the interlocking tab.

A protruding sense of purpose
it contours like jagged bone
meant to match in synchrony
maneuvering to its own.

And yet, uniqueness hems and flanks
the space, the opening it takes
and turning ’round the key
will not fill disparate gapes.

So left then, is a scenic -rude-
all unveiled and bit-by-bit
assembled there in lots and cast
and there one piece does not fit.

All solving will not cure the form
inside this pale, imperfect zone
of puzzle pieces. Looking close
a wealth of hues and shapes, its own.

Choice words (Cento)

Under the wordless sky, come
with loveliness and the icy drouth
of hate –

The diverse forms of things, how can we learn?
Such is life’s trial, as old earth smiles and knows
We call things beautiful, not as such, but because of what they mean.

One moment rests my heart, to rend the next
with words alert and bold,
betrayals so long repeated
that they are taken for granted.

And passing on, smiled like a singing rainbow,
the sky too soon shall witness on your winter hill
as atoms dissipate, as chance sorts life.

*********
A Cento is a poem comprised of lines borrowed from other poets. This one owes is origins to the following poets:
Edward Albert Clements, Margaret Fraser,V.N. Wylde,John Creagh, Kathryn Worth, Joseph Stanley Pennell, John Davies, Robert Browning, Anthony Madrid, and W.S. Merwin.